Flatrock, 34 x 50, oil on canvas

About a year ago my identical twin brother Don took an interesting winter photo. I liked it so much that it inspired the above painting for his office. He lives in San Francisco, which is where I'm painting this week. I normally don't work from photos that were taken by others, but Don and I have a similar sense of landscape aesthetic so it seems natural to collaborate. The image was taken north of Lock Haven in Clinton County. We are currently working together on images of the bay area. Here is an interesting online interview about Don and his design process.

http://www.iup.edu/magazine/exclusives/page.aspx?id=103563

Power Line Road, 5 x 7 and 9 x 12, oil on panel

 Here is a 5 x 7 inch study done quickly after premixing a group of five mass colors. The power lines were edited out because I was focused on the road that angled up the mountain.

This image shows the 9 x 12 inch panel. It is a little different proportion, slightly more square. Basically the same painting, but somewhat darker. The sky became cloudier as I worked and the landmasses became darker as a result. I used the premixed colors and blocked it in using dark to light and thin to thick sequential passes. As you can see this one has a bit more information.

Fuel Tanks, 5 x 7, oil on panel

Sometimes I see things hundreds of times before I do a painting of it. I think of it as a visual gestation period. Twenty years ago I would have never considered these fuel tanks as possible subject matter. So what changed? It's hard to say. I think an artist warms up to the environment and an idea slowly emerges. This small study may never be more than it is, but it is a document of yesterday, December 28, 2010.

Company Houses, 16 x 20, Oil on Linen

Just recently I discovered some photos that were taken in the early 1900's of Pittsburgh neighborhoods. The image I used for this painting was taken January 25, 1918. These photos have inspired me to do a series of paintings about what Pittsburgh looked and felt like about 100 years ago. I'm using an extremely limited palette, two or three colors. The idea is to give these photos a new life that can communicate the region's industrial history. But more importantly, this series is about the people that labored to create the world's steel capital.

Vacant Lot, 36 x 48, oil on canvas

I did the little 9 x 12 inch study, top, as a demo for my class at the Pittsburgh Center for the Arts. It worked well enough for me to enlarge the image to a 36 x 48 canvas. The idea for the painting is how some of the neighborhood row houses get demolished and leave a vacant lot. The empty space reminds me of a missing tooth. The houses were built as joined units and you can see there are no windows on the side. The painting isn't finished yet but it shows how the study can be used as a source for a larger, more finished painting.

Spring Houses, 16 x 20, oil on linen

Cambria County was a winter wonderland last year. It reminded me so much of my childhood. It used to snow from late October until April – that's what it seemed like anyway. I did this painting late last winter when a fresh white blanket covered everything. The scene is near Loretto, PA on what used to be the Schwab Estate. You can't tell from this painting but there is probably three feet of snow on the ground. Shadows from a group of trees on the right created the nice pattern in the foreground and on the roofs.

Strip Doors, 12x16, oil on linen

The morning light yesterday cut a blazing path across these shadowed doors in the Strip District. It reminded me of a Franz Kline painting. He used huge brush strokes to create dynamic impact. There is one in the Carnegie Museum that is just awesome. I kind of imagined this scene as a Kline painting done with just a few brush strokes.