Tuesday, June 22, 2010
Winter Shadows, 30 x 40, oil on linen
Wednesday, June 9, 2010
Tuesday, June 8, 2010
Ghosted Sign, 24 x 30, oil on canvas
Students have often asked how my process evolves. Here is an attempt to show nine steps, start to finish. (I must say it is hard to concentrate on a painting and then stop to take photos at regular intervals!) I often look at something for years until I see it in a particular light and it triggers an idea for a painting. That's what happened last week when I drove by this old brick building. The wall facing west was illuminated by warm light and I could almost read the hand painted sign. There are a lot of these "ghosted signs" here in Pittsburgh. Sometimes you can read them, but most are just faded images. What were they and what are they still trying to say? To me they are grim reminders of the weathering effect time has on all things, especially us.
Wednesday, June 2, 2010
Brunot's Island, 34 x 64, oil on canvas
This is a piece I've been working on for a few weeks. It is from a photo I took from Mt. Washington. Describing how colors change over distance is something that has always fascinated me. In this painting I'm contrasting a dense dark, shadowed foreground with a cool softer background. The Ohio River splits as it goes around Brunot's Island and makes its way toward McKees Rocks and then on to Sewickley and eventually to the mighty Mississippi. I wanted to show the extreme distance that can be seen from this vantage point.
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