This is a house I've painted twice before. I like the way it sits on the edge of a hill all by itself. The trees seem to be guardians that frame it to anyone who approaches. I left out the parked cars and junk piles. Let's just call it artistic editing.
For anyone interested I'll be showing at First Night in downtown Pittsburgh, Dec. 31. The exhibition, The Painted City, is at 937 Liberty Ave. 6-11 pm. Here is the link for more info.
Sometimes a simple shadow is the reward for seeing. I titled this Reaching Shadow because it appeared to extend the entire width of this oddly windowed house.
I usually don't paint interiors, but this one done seven years ago at The Westmoreland Museum of American Art was just acquired for their collection. I'm so proud to say this is the third piece of mine in their collection of American Art. Thank you to the Westmoreland Society and the museum for making this possible. http://www.wmuseumaa.org/
Sometimes I walk the streets near my studio wondering if there is anything new. New in the sense that I haven't noticed before that is worthy of becoming a painting. Usually it is a light and shadow situation which catches my eye. But here were a bunch of pigeons clustered together on telephone wires. (I suppose they were getting ready for bed.) The thin vertical telephone pole shapes, wires and birds broke up the sky space while also adding an authentic texture to this city scene.
Full time artist living in Pittsburgh, PA. I've been a gravedigger, chicken catcher, landscaper, graphic designer, museum art installer, college instructor, and now, finally, I'm painting everyday, which is what I've been trying to do all along.